You also have control over the Saturation and Exposure settings. If you move above the horizontal line, it will increase, and if you go below the line, it will decrease. These are the ranges of the footage that are designated as the Highlights, Midtones, and Shadows, respectively.Īdjusting a node to a new color space has an immediate and noticeable impact on the corresponding section of the image. Color boardĪ vertical color spectrum is shown on the Color Board, and it is intersected by a horizontal line that features four nodes. You may access a wider range of color manipulation tools with the built-in color wheels, exposure adjustments, including isolation of color selection, RGB modifications across tone ranges, and simple masking. Follow the instructions below to modify your settings to match your clip if you want to give your footage a cinematic look. It may take multiple levels to create the desired look. Grading is done in multiple layers stacked on top of each other. Now that your setup is complete, you can begin grading your footage. Your highlights are shown at the top and your shadows are at the bottom in all grading tools and scopes. The three components of grading are the highlights, mid-tones, and shadows. You can activate Video Scopes by clicking View > Show in Viewer > Video Scopes from the View menu.
They are quite complicated and can be difficult to comprehend if you did not use them ever before. The Scopes in Final Cut Pro are panels that display the color information of your shots. Then choose the Color profile that matches your clip based on the camera it is filmed with.Navigate all the way down through the options to find the Color LUT option.Then click on the Information tab of the clip.Drag your clip onto your timeline and make sure it is selected.To start on this process, it goes as follows. The reason for that is because you have not yet matched the color profile of your sequence to the one of your camera. Step2Create a color profileĪfter importing your film, you may be concerned about the general dull look of your recordings. Your camera will have color settings, and although the washed-out, drab appearance may not inspire confidence in you, it will offer you a lot more editing possibility. While it may seem preferable to shoot with as much color as you can, using a duller color profile is very necessary. Use the greatest quality settings your camera offers while recording your video the more information in your picture, the more you can manipulate it during grading. Since the raw video is essential for producing a cinematic image, an outstanding grade begins with the camera. We'll therefore walk you through the process of creating a cinematic color grade in Final Cut Pro, but depending on your material, you might need to add or omit some phases. But even mundane-looking film may look remarkable if you know how to give it a dramatic touch.Ī more cinematic grade requires a number of procedures, and there is no one method that works for all situations. Some editors won't conduct any color grading or correction beyond the bare minimum. Discover how you color grade in Final Cut ProĬolor grading may be a tedious and time-consuming operation, therefore it's a skill set that calls for a lot of patience. Discover how you color grade in Final Cut Proġ.